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Creating cartoon people drawings can be as simple as drawing basic shapes, or as complicated as details down to the exact eyelash count. The base of many comic stories and cartoon shows are human. Drawing a human can be tricky, however, because people are some of the most complex figures in the animal world.
The feel of a cartoon depends on how the people are drawn. Different styles cartoon people drawings have been created and used in an array of cartoon films and comics.
A broadly popular type of cartoon person is the anime character. This type of cartoon face is simple, with big eyes, and a mouth which moves only the jaw frame to frame, rather than with lip enunciation. Details on the rest of the body are greater, with muscle and bone structure. Often, anime heroes are drawn with exaggerated muscle tone, females are generously endowed, and villains are obvious villains, some harboring no human attributes other than two legs to hold them upright.
Other artists favor a simple looking cartoon characters. These types of cartoon people drawings are created with cylinders for legs, arms, and often torso too. Creators favoring this type of drawing use straight, long lines with circles attached to the ends.
Opposing the thin body style cartoon character is the heavy body style drawings. This type of drawing suits Santa Claus, sumo wrestlers, or anyone with significant weight. Circles and ovals fill out this drawing, with corners smoothed by flowing lines for clothing.
The last type of cartoon person is the muscular body style for muscle man. Superheroes are of this style, as are muscle heads or gym rats. The creation of this character includes triangles, cubes, and a basic "V" shape for the torso. The arms, legs, and neck are tubular in shape.
Drawing cartoon humans can be as hard, or as easy, as the artist wants to make it. Simplicity or complexity depends on the message to be conveyed to the audience. Using a basic strategy, then adding detail as dictated by the storyline, usually creates a satisfactory human cartoon. The emergence of the drawing depends on the needs, and skill, of the artist.
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